Construction begins on Kengo Kuma's National Stadium for 2020 Tokyo Olympics

The new stadium will realise ‘an athlete first’ policy with the best universal design in the world and some Japanese flavour
– Shinzo Abe, Japan prime minister

Construction work has kicked off on Tokyo’s new National Stadium, the Kengo Kuma-designed stage for the 2020 Olympics and Paralympics.

The design by the Japanese architect was chosen to replace Zaha Hadid Architects’ original scheme – ostensibly due to the rising cost of that project – in December 2015, and received the green light two months ago. Kuma’s stadium is estimated to cost 150bn yen ($1.5bn, €1.3bn, £1.1bn) to build.

Construction company Taisei Corp and building planner Azusa Sekkei Co have been contracted to complete the work, which is being overseen by the Japan Sport Council – organiser of the Games. The project is expected to be finished by the end of November 2019.

Kuma chose a wooden lattice design for the stadium, which evokes traditional styles seen in

Japanese shrines and pagodas and blends in with the surrounding forests through its heavy use of landscaping. The structure will use Japanese-grown larch in its wood as well as steel composite roof and prefabricated panels to minimise costs and ensure a relatively quick construction timeline.

Speaking at the groundbreaking ceremony, Japan’s prime minister, Shinzo Abe, said: “The new image of the stadium will realise ‘an athlete first’ policy with the best universal design in the world and some Japanese flavour. I’m very confident that this can be the stronghold of sports and culture for the new era.

“When we scrapped the original plan last July, I vowed to make the new venue one that will be celebrated by the people and the athletes, a place that can generate dreams and inspiration.”

Recently-elected Tokyo governor Yuriko Koike, who has been a vocal critic of the bloated costs of hosting the Olympics, said that the National Stadium will symbolise “the legacy of the Games and environmental sustainability,” adding, “I hope it will be loved by people for a long time to come.”

Earlier this year Kuma told CLAD that he wants the new stadium, and the 2020 Games more broadly, to symbolise today’s Japan – a country “whose culture and direction is totally opposite to what went before” due to a slowing down of both economic growth and the pace of life.

“This new direction can be called the age of maturity,” he said. “People are finding a new, slower kind of lifestyle. But slowdown is not bad. Slowdown is creating new types of culture, new types of lifestyle. Actually, when you look at Japanese history, it is not a history of expansion. We’re basically very slow and very quiet, and I’m happy to see us go back to that time of quietness.

“For the stadium, I have used a lot of wood because I think it’s an appropriate material to symbolise this change. We once lived together and aged together with wood. I want to go back to that kind of natural circulation with my work.”

Kengo Kuma  Tokyo  2020 Olympics  2020 Parylimpics  Japan  architecture  design 
Related stories

Defiant Kuma's Tokyo Olympic Stadium granted green light

Maki and Kuma campaign for Tokyo gymnasium to receive UNESCO recognition

Japan Sports Council reveals cost of abandoning Zaha Hadid's Tokyo stadium design

Kengo Kuma hits back in Tokyo stadium row

Zaha Hadid cries foul as Tokyo 2020 stadium design is chosen

FEATURE: Interview – Kengo Kuma

Construction work has kicked off on Tokyo’s new National Stadium, the Kengo Kuma-designed stage for the 2020 Olympics and Paralympics. The design by the Japanese architect was chosen to replace Zaha Hadid Architects’ original scheme – ostensibly due to the rising cost of that project – in December 2015, and received the green light two months ago. Kuma’s stadium is estimated to cost 150bn yen ($1.5bn, €1.3bn, £1.1bn) to build.
CLD,SAR,ARC,DES,DEV,INV
Kuma chose a wooden lattice design for the stadium that evokes traditional styles seen in 
Japanese shrines and pagodas / Taisei Corporation, Azusa Sekkei Co., Ltd. and Kengo Kuma and Associates
More news
News stories: 1 - 30 of 7320     
 
 
 
News stories: 1 - 30 of 7320     
 
 
 
company profile
Company profile: Fabio Alemanno Design Ltd
Based on ancient knowledge – and confirmed by scientific research – warmth is one of the most important sources of healing and preventative therapy available.
Try cladmag for free!
Sign up with CLAD to receive our regular ezine, instant news alerts, free digital subscriptions to CLADweek, CLADmag and CLADbook and to request a free sample of the next issue of CLADmag.
sign up
features
The RSHP partners at the Macallan Distillery during construction
Stephen Barrett (left) 
and John McElgunn (right) were both made partners at RSHP in 2016
"Leisure space – public space – is at the very root of democracy, and architecture is about democracy"

As RSHP completes its latest cultural project, we speak to two of its partners about why Richard Rogers isn’t leaving his succession to chance

Landscape design: Back to nature
Alan Metcalfe
"When people are a bit scared, they gather together"

Featuring a vibrating glass platform and one of the US’s longest tree canopy walks, Whiting Forest has been designed to bring visitors closer to nature and to one another

Roosegaarde’s first major solo museum exhibition explores the idea of ‘presence’
"I want to demonstrate that creativity is our true capital as humans "

Rather than feeling fearful and helpless about the future, we must design a way out of the environmental problems we have created, argues the innovative Dutch designer, artist and inventor Daan Roosegaarde

Catalogue Gallery
Click on a catalogue to view it online
To advertise in our catalogue gallery: call +44(0)1462 431385
features
The Jean-Georges Vongerichten restaurant features 12m-high floor-to-ceiling windows
Dana Kalczak
"If we had focused entirely on high tech in the hotel, the artistry we normally strive for would have been compromised"

Four Seasons’ vice president of design speaks to CLAD about working with Norman Foster and creating magical moments

CopenHill urban ski centre
"It was born from the sheer anxiety of having to submit something brilliant in a very short timescale"

How a moment of desperation led to BIG’s CopenHill, the clean power plant that’s doubling as a skiing and leisure destination. Magali Robathan speaks to the architects that made it happen

Olga Polizzi went to Rome Art School before joining the design department at Forte Hotels
Olga Polizzi is director of design for Rocco Forte Hotels and also owns two of her own hotels
"On Via Sistina, everything breathes history. At the same time I wanted to reflect the modern hunger for the fantastical - Tommaso Ziffer"

Following the highly anticipated launch of Rome’s Hotel de la Ville, Rocco Forte’s director of design reflects on a fascinating project

features
"We tried to take over in a friendly way"

The Standard’s first London hotel is bold, fun and full of surprising touches

Collaboration is at the heart of NBW’s working practices
Thomas Woltz
"I am very proud of stewarding the largest public space to be built in Manhattan in a century"

The Wall Street Journal’s Design Innovator of the Year on designing the gardens at Hudson Yards and looking to the Native Americans for ideas on how to create a resilient future

Equinox Hotel Hudson Yards is housed in 35 Hudson Yards, a tower building designed by SOM’s David Childs
"Further hotels have been confirmed for Los Angeles, Santa Clara, CA, Seattle, Chicago and Houston"

Rockwell Group and Joyce Wang on the inspirations behind the guest rooms, public spaces, spa and gym at Equinox Hotel Hudson Yards

cladkit product news
Tino Seubert x Theodora Alfredsdottir lighting collection inspired by mid-century furniture making traditions
The Corrugation Lights were inspired by midcentury and post-war furniture making techniques
London-based designers Tino Seubert and Theodora Alfredsdottir have teamed up to create Corrugation Lights, a lighting collection inspired by midcentury ...
Arlon Graphics debuts architectural collection
Arlon's architectural range is aimed at interior designers looking for innovative and affordable renovation solutions
Lauren Heath-Jones
Arlon Graphics, a plastic and vinyl manufacturer based in The Netherlands, has launched a range of architectural graphic vinyl films ...
Tom Dixon Rock collection inspired by Dixon's travels to India
The Rock collection is made with green marble and was inspired by Tom Dixon's travels to India
Lauren Heath-Jones
British designer studio, Tom Dixon Studio has launched a new collection of marble sculptures inspired by his frequent trips to ...
cladkit product news
Pelle DVN Table inspired by traditional Japanese carpentry
The DVN Table was created using Japanese joinery techniques
Lauren Heath-Jones
Jean and Oliver Pelle, the husband and wife team behind New York-based design studio Pelle, have created the DVN Table, ...
John Pomp Studios expands Tidal collection
The Eclipse Pendant light was inspired by the lunar eclipse
Lauren Heath-Jones
John Pomp Studios, a design practice based in Philadelphia in the US, has expanded its Tidal collection to include five ...
ZHD'S MEW Coffee Table explores relationship between surface and structure
The MEW Coffee Table is described as an investigation into the relationship between surface and structure
Lauren Heath-Jones
Zaha Hadid Design has partnered with Italian furniture design firm Sawaya & Moroni to create the Mew Coffee Table. The ...
cladkit product news
Space Popular creates video installation for the Gwangmyeongmun Gate in South Korea
Gate of Bright Lights was designed to show visitors how screens and digital interfaces have replaced physical objects the gateway between us and the rest of the world.
Lauren Heath-Jones
Multidisciplinary design firm Space Popular has created a video installation for the Gwangmyeongmun Gate at the Deoksugung Palace in Seoul, ...
Canteen collection combines nostalgia with modern aesthetics
The Canteen collection was inspired by post-war British design techniques
Lauren Heath-Jones
Very Good & Proper (VG&P), a British furniture brand, has curated a new dining collection that combines traditional woodworking techniques ...
Naval architect launches solar-powered floating pods
The Anthénea pod is a luxury floating suite that could be used as a spa or treatment suite
Lauren Heath-Jones
Naval architect Jean-Michel Ducancelle has designed a solar-powered floating hotel suite aimed at offering an eco-friendly and nomadic place for ...
x
Sign up with CLAD for regular news updates