Kengo Kuma on museum design: 'We must create a link between people and art'

In the last century, museums became separated from the culture around them. Now the best new ones are reconnecting with local life. I think they should be part of their street and neighbourhood surroundings
– Kengo Kuma

Kengo Kuma has urged architects and developers to locate new museums in the centre of communities to better connect them with local life.

Speaking exclusively to CLAD, the Japanese architect explained that his first priority when designing a new museum is to “pick up an experience of the place.”

“The role of architects in the 21st century is to create a link between people and art,” he said. “We should be the communicators between those two things. We have a responsibility to society not to allow isolation.

“In the last century, museums became separated from the culture around them. Now the best new ones are reconnecting with local life. I think they should be part of their street and neighbourhood surroundings.”

Over the past year Kuma’s studio have won several museum projects, meaning their portfolio now includes the Hans Christian Andersen Museum in Odense, Denmark; the Museum of Indigenous Knowledgein Manilla, the Philippines; and the Victoria & Albert Museum’s offshoot in Dundee, UK. All will be centrally located and are intended to stimulate local economic and cultural development.

“I don’t want these buildings to be a reflection of me,” Kuma said. “Some architects try to push their ideas onto a museum, whereas I try to dig into the spirit of the location and find its essence.”

Kuma said architects should battle to create “history and long-term benefits for people” through their work and hit out at developers whose main ambition is short-term profit.

“The problem of our period is the developers have huge money and influence,” he argued. “Governments are getting very weak and are letting these short-sighted people design cities by themselves.

“I think the winner in a project should be the building and the environment. Architects should never be the winner. We should respect the places where we work and respect the people who live there. That’s our philosophy, simply put.”

The full interview with Kengo Kuma, in which he also discussed his view on the Tokyo Olympic Stadium controversy, features in the brand new issue of CLADmag, which can be read in print, online or on digital turning pages.

In his own words
Kengo Kuma reveals the inspirations behind three of his most exciting museum designs

The Museum of Indigenous Knowledge, Manilla

The 97,000sq ft museum will cover 4,000 years of history, enabling visitors to experience the cultural and religious heritage of the Philippines’ indigenous peoples, starting from the Neolithic age. Kuma has created a jungle-inspired building seemingly located inside an enormous cave. Visitors will walk from the street through a soaring rock arch covered in tropical plants and into a large void. Inside, they’ll continue through a wild environment of jungle, streams, ravines, ponds and waterfalls to reach a central atrium, replicating the mountains and valleys where local people sought refuge following the arrival of Spanish colonisers.

"The location of the museum is in an industrial park with a big factory there. The thought came to us that in this kind of industrial environment we should create nature ourselves.

"The client told me about the value of the very first cultures of the Philippines. I was so impressed because I didn’t know that kind of really strong culture existed there. I thought the Philippines was a beautiful country, with beautiful nature, but the history was not all that interesting. On the contrary, I’ve discovered that its history is very long and very rich. I want to symbolise that strength through a design that is very much integrated with the beauty of nature.

"In Manilla, the new buildings are mainly shopping centres and that kind of thing. I want to create a strong cultural core for the city."

The Museum of Indigenous Knowledge in Manilla features a tropical plant-covered arch / KENGO KUMA & ASSOCIATES

The Museum of Indigenous Knowledge in Manilla features a tropical plant-covered arch

The Hans Christian Andersen Museum, Odense, Denmark

A peaceful garden and tall trees will surround cylindrical timber-clad volumes that house 6,000sq m (64,600sq ft) of new floor space, including an underground level. The complex, which will also include the city’s Tinderbox Cultural Centre for Children, is designed to create empathy, imagination and play while inspiring learning about the author’s famous fables.

"As with the Manilla project, we have explored the beauty of nature. But the nature we pick up for each project is different. In Manilla it is very tropical. Here, I found beauty in the small hedged gardens of the city. Odense is not big. The scale of the space and the scale of the garden villages is very similar to a Japanese townscape. When I visited, I felt ‘ah this is very similar to my home.’ I wanted to take that emotion, and the shared vocabulary of these places, and translate that to a cultural building.

"I love Hans Christian Andersen’s fairy tales. For kids, they’re very different from normal fairy tales which try to teach you something. Andersen tried to show the new world. I still remember many of them and I’ve always found them so exciting. Like some Japanese fairy tales they are surprising and sometimes scary, with a feeling of ‘wow’ at some of the endings!

"My design tries to create some of that sense of involvement. We’ve contrasted between small spaces and big spaces, and straight spaces and spiralling spaces. That kind of contrast can create big surprises and big excitement for kids. That is the basis of the idea."

Two thirds of the building will be underground, allowing for the creation of a large ‘magical garden space’ above ground / KENGO KUMA & ASSOCIATES

Two thirds of the building will be underground, allowing for the creation of a large ‘magical garden space’ above ground

The Victoria and Albert Museum, Dundee, UK

The conceptual design was unveiled back in September 2010 for this landmark museum project on the banks of River Tay in Dundee’s Craig Harbour. Construction at the site began in March 2015 and the sculptural main building is expected to be completed by the end of 2017. When finished, the building will feature layers of prefabricated concrete beams and reconstituted stone cladding. It will chiefly house exhibition and gallery spaces for the V&A’s mammoth collection of art and cultural artefacts.

"Dundee is not like Edinburgh and not like Glasgow. As a location it is very interesting. The river is beautiful, the bridge is beautiful. But before our project, the city and its beautiful nature were totally separated. The aim of our building is to combine nature and the city centre so we can achieve the kind of connection that allows the city to get energy from nature.

"I was inspired by the ship Discovery, and by the cliffs in Scotland. The nature of the country is very tough. It’s not so mild. I wanted to translate that kind of natural beauty and toughness to the building.

"The V&A people tried to make a very new concept; something different to what they had done before. It is very different from the V&A in London, which is mainly an example of architecture from the 19th century. Our new museum is a mixture of contemporary design and traditional and natural features. That combination can create a new type of chemistry and – I hope – a new type of design culture which will stimulate architecture and design in Scotland."

The V&A Dundee will be Kengo Kuma’s first UK building. It is currently under construction and is due for completion in 2017

The V&A Dundee will be Kengo Kuma’s first UK building. It is currently under construction and is due for completion in 2017

Kengo Kuma  museum design  architecture  CLADmag  urban regenerartion 
Related stories

ZMMA win competition to create Scottish Design Galleries at V&A Dundee

Kengo Kuma and fabric manufacturer join forces to propose 'quake-proof' building

Kengo Kuma wins competition to design fairytale-themed Hans Christian Andersen museum expansion

Kengo Kuma & Associates design cave setting for Museum of Indigenous Knowledge, Manila

Winning design chosen for V&A at Dundee

FEATURE: Interview – Kengo Kuma

FEATURE: Museums & Galleries – Art Attack

Kengo Kuma has urged architects and developers to locate new museums in the centre of communities to better connect them with local life. Speaking exclusively to CLAD, the Japanese architect explained that his first priority when designing a new museum is to “pick up an experience of the place.” “The role of architects in the 21st century is to create a link between people and art,” he said. “We should
CLD,VAT,HAM,AAC,PRO,ARC,DES
Kuma believes museums can reinvigorate communities / Kengo Kuma and Associates/The Courier
More news
News stories: 1 - 30 of 7530     
 
 
 
News stories: 1 - 30 of 7530     
 
 
 
featured supplier
Featured Supplier: Ritz Carlton co-founder joins Frontline Summit 2020 as keynote speaker
Frontline work has never been more important and frontline workers are the largest class of workers on the planet, as well as the most impactful group on the experience customers get.
company profile
Company profile: Alliance Leisure Services Ltd
The company’s core business is the provision of facility development and support for local authorities, educational establishments and leisure trusts that want to improve or expand the leisure products and services they offer.
Try cladmag for free!
Sign up with CLAD to receive our regular ezine, instant news alerts, free digital subscriptions to CLADweek, CLADmag and CLADbook and to request a free sample of the next issue of CLADmag.
sign up
features
Architecture is by Hugo Demetz, who designed the property to try and integrate it into its natural surroundings
"Wellness embraces the entire holiday experience"

The design of the newly-opened Lefay Resort and Spa Dolomitti in Italy aims to celebrate and protect its spectacular surroundings

Marianne Shillingford
"The technology involved in paint is extraordinary"

Used cleverly, colour has the power to influence how people use the spaces they inhabit, says the creative director of Dulux

Catalogue Gallery
Click on a catalogue to view it online
To advertise in our catalogue gallery: call +44(0)1462 431385
Manuelle Gautrand
"The cities where you have good cultural buildings and facilities – it’s a way for people to mix, to share the city in a much deeper way"

The French architect and winner of the 2017 European Prize for Architecture tells us why she is determined to surprise

Last word: Tina Norden
Tina Norden
"We have created an approach which is playful, provocative but also functional"

Conran and Partners’ Tina Norden on playing with colour at Prague’s newly redesigned Hotel Maximilian

Fisketorvet Copenhagen Mall
"Most clients are very focused on how buildings are used and experienced as the primary design driver"

The MD of Schmidt Hammer Lassen and the CEO of PerkinsWill tell us why their merger will help create smarter buildings driven by human behaviour

cladkit product news
BIG partners with Louis Poulsen for new lighting collection
The Keglen collection is made up of four different pendants
Lauren Heath-Jones
BIG Ideas, the technology arm of renowned architecture firm Bjarke Ingles Group (BIG), has partnered with Danish lighting manufacturer Louis ...
XTU concept imagines life in the clouds
XTU's X Cloud concept is part of the Future and the Arts: AI, Robotic, Cities, Life - How Humanity Will Live Tomorrow exhibition at the Mori Art Museum in Tokyo
Lauren Heath-Jones
XTU Architects, a Paris-based architecture firm, has released images and renderings of X Cloud, a new concept that showcase a ...
1885 Lounge at St Mary's Stadium celebrates Southampton FC's history
Rainbow Design worked closely with KSS Architects to ensure the furniture matched the design vision
Lauren Heath-Jones
KSS Architects has partnered with Rainbow Design, a London-based furniture supplier, to create the 1885 Lounge at St Mary's Stadium, ...
cladkit product news
Painting with Light pushes boundaries to create unforgettable visual concepts
The team combines lighting, video, sound and special effects, with scenic and architectural elements, to create unforgettable visual experiences
Megan Whitby
Belgium-based light and video design studio, Painting with Light, will translate the story of your location into a visual experience, ...
Tom Dixon collaborates with Prolicht to launch CODE lighting range
The product has three LED light sources: Dot, Dash and Grid
Megan Whitby
British designer, Tom Dixon, and Austrian architectural lighting specialists, Prolicht, have collaborated to unveil a new lighting range. Called CODE, ...
Matteo Thun grows Allaperto collection with new suspended outdoor armchair
Megan Whitby
Allaperto, the lounge collection spawned by the partnership between design studios, Matteo Thun, Ethimo and Antonio Rodriguez, has been expanded ...
cladkit product news
Barr + Wray to launch space saving hammam concept
Light shines through a striking central chandelier to create a feeling of movement
Katie Barnes
Smaller footprint. Maximum theatre. Those are the two main features of a new hammam concept being developed by wet spa ...
Daniel Svahn creates furniture collection using repurposed table tops
The Goodies But Oldies collection features three pieces made from repurposed MDF table tops
Lauren Heath-Jones
Daniel Svahn, a Stockholm-based furniture designer, has created a new range of sustainable furnishings, made from recycled MDF tabletops. Svahn, ...
Metalline transforms London hotel with bespoke aluminium fins
The aluminium fins will form the façade of the upcoming Minories Hotel in Aldgate, London
Lauren Heath-Jones
Metalline, an architectural metalwork specialist based in the UK, has created a range of bespoke 3D twisted metal fins for ...
x
Sign up with CLAD for regular news updates