RICHARD MEIER: exclusive interview on the Getty Center, Miami's new Surf Club and 'the biggest mistake made by architects today'

by Magali Robathan | 15 Feb 2017
What we need in our cities is more public space and more open space.
– Richard Meier

Failing to consider the context in which they're working is "the biggest mistake" made by architects today, argues Richard Meier in an exclusive interview with CLAD.

The renowned Pritzker Prize winner states that “just because you can build 100 stories high, doesn’t mean you should,” and bemoans the number of new city buildings that are out of place in their environment.

The full feature interview – in which Meier also touches on his influences, his famous work on the Getty Center and his love of the colour white – can be read in full below.

The new issue of CLADmag – our quarterly magazine – is available to read now online and on digital turning pages.

CLAD editor Magali Robathan meets Richard Meier

I speak to Richard Meier from his New York office. The view from his window, he says, illustrates the most common mistake made by architects today.

“There are some buildings here in New York that just seem out of scale,” he tells me. “From my window, I can see the Empire State Building, and then I can see other buildings that make it look small. Some of these buildings are out of place. Just because you can build 100 stories high, doesn’t mean you should.

“The biggest mistake made by architects today has to be not thinking about the context in which they’re working,” he adds.

This is not a mistake made by Meier. The Pritzker Prize-winning architect has a body of work that spans more than 50 years and takes in private residences, skyscrapers, civic buildings, offices, hotels – including the W Hotels and the recently opened Seamarq Hotel in South Korea – and a range of public buildings that include Rome’s Jubilee Church, the Barcelona Museum of Contemporary Art and his most famous building of all, the Getty Center in Los Angeles.

What unites them is the way they respond to their settings, celebrating materials and natural light in spaces that are open and transparent. The scale and context of his buildings is something Meier thinks about very carefully at every stage of the process.

In the case of his most recent project, The Surf Club Four Seasons Hotel & Residences in Miami, the context is the ocean, and as with all of his buildings, he used the setting as a starting point for the design.

“This project means a lot to me,” he says. “It’s a terrific site. The context is nature and you try to make the buildings so you can appreciate nature and the water by which they are situated.”

The project sees the historic Surf Club transformed into a Four Seasons hotel and residences. The Surf Club, which was designed by Russell Pancoast and opened in 1930, was once frequented by people such as Elizabeth Taylor, Winston Churchill and Frank Sinatra.

Surf Club

Meier’s transformation sees the original club restored and used as a lobby and entrance for the complex. Behind it stand two transparent 12 storey residential towers, and an 80 room Four Seasons hotel. The complex will also feature a private members’ club, two restaurants, four swimming pools, a spa and fitness center, as well as 40 beach cabanas, a park and oceanside gardens. The hotel is due to open in spring 2017, with the residences opening in the summer.

I ask how much of a challenge it was, harmonising the new building with the original building. “I wouldn’t say the modern building is in harmony with it; it’s sort of a counterpoint to it,” says Meier. “It’s nice to have a bit of the old with the new. We were obviously influenced by the original Surf Club, which was a nice building and was in very good condition, even though it hadn’t been used for a while.”

The buildings are open and airy, in keeping with Meier’s style. He sums up his approach as being about “the quality of the spaces, the relationship to the context, transparency, lightness, the way the buildings respond to nature and the changing colours of nature. All of these things are a part of my architecture.”

The other thing that runs through Meier’s work, of course, is the use of white. When Meier won the Pritzker Prize in 1984, he devoted a large part of his acceptance speech to his appreciation of it, saying: “White is wonderful, because within it you can see all of the colours of the rainbow. The whiteness of white is never just white; it is almost always transformed by light and that which is constantly changing; the sky, the clouds, the sun and the moon.”

Speaking to me, he adds: “White expresses the architecture in the clearest way. It expresses the difference between things like the opacity and transparency, between linear elements and opaque elements, it expresses the space and it reflects and refracts light so you see the changes of colour in nature through the whiteness of the building.”

The Barcelona Museum of Contemporary Art

STARTING OUT

Richard Meier studied architecture at Cornell University, and worked for several years with Marcel Breuer and Skidmore, Owings and Merrill, before setting up his own practice in New York City in 1963. He rose to prominence designing private residences, and in 1972 he was identified as one of the New York Five – a group of influential New York modernist architects that also included Michael Graves, Charles Gwathmey, John Hejduk and Peter Eisenman.

In 1984, Meier achieved mainstream success when he was awarded the Pritzker Prize, and won the competition to design the $1bn Getty Center in LA – described at the time as ‘the commission of the century’. Opened in 1997, the Getty Center complex occupies a hilltop site in the Santa Monica Mountains overlooking Los Angeles and the Pacific Ocean beyond. It’s a stunning cluster of buildings housing the museum, the Getty Research Institute, the Getty Conservation Institute, the Getty Foundation and the J. Paul Getty Trust, as well as a series of courtyards and gardens.

Although the Getty Center opened almost two decades ago, Meier admits it will probably always be the project that he’s best known for, and his pride in the complex is obvious when he discusses it.

“That project was very special to me,” he says. “Right after it opened, they had something like 5,000 people a day visiting. Still, after 20 years, they have about 5,000 people a day visiting. Because of its location, people don’t just go for an hour; they go and spend the whole day there; walk around, enjoy the art collections and the gardens, have lunch, enjoy the views. It’s up there by itself; a destination, as it were.”

The project was inextricably linked with the growing up of Meier’s children, he says (he has a son and a daughter), and it became central to their lives. “It took 12 years, and I went there every two weeks, so whenever my children were on vacation we went to LA and stayed in a small house adjacent to the site and took daily walks through the construction. Seeing it evolve was very important to me.”

Getty Center

PUBLIC SPACE

Although Meier’s work is primarily about designing buildings, it’s the public spaces created by these buildings – that often become used in unexpected ways – that really get him going.

Meier gives the example of the Barcelona Museum of Contemporary Art, which opened in 1995, as a building that has resulted in a highly successful public space. “The museum is very popular,” he says, “but so is the plaza in front of the building where every kid growing up in Barcelona brings his skateboard and skates there. It’s a very active and well used public space.”

One of the first buildings to really have an impact on Meier, he tells me, was Frank Lloyd Wright’s Guggenheim. “When you think of the Guggenheim, you think of the great rotunda where people come together. They walk around, see the art, then meet their friends there. It’s a place of coming together.

“The problem today, is that developers really have no incentive to create public space,” he continues. “It’s rare that a developer is going to give up space within their project for the public, which is very unfortunate, because what we need in our cities is more public space and more open space.”

The answer, says Meier, has to be creating incentives at government level for developers to include provision for quality public space in their buildings.

LOOKING FORWARDS

As well as The Surf Club Four Seasons, Richard Meier is currently working on residential buildings in New York including 685 First Avenue – a 42 storey housing tower, clad in aluminium and black glass, in a radical departure from Meier’s usual colour palette. He is also working on the Ward Village Gateways Towers residential project in Honolulu, Hawaii and a two tower residential development in Bogotá, Columbia. “It’s an exciting time for the practice,” he says.

Meier is not one for looking back too much, he explains; the most exciting period of his career is “hopefully whatever the next building is,” but he does stop to acknowledge what he’s achieved from time to time, and he does enjoy visiting his old buildings.

“It makes me happy to see works that were done 20, 30 or 40 years ago,” he says.

“It’s like the buildings are your children and you sort of take care of them when they’re young, but at a certain point, they’re on their own. They’re no longer something you’re involved with, but it’s wonderful to visit them and see that they’re well.”

Richard Meier  New York  architecture  design  Getty Center  Surf Club  Pritzker Prize  
Related stories

Luxury and leisure hit the New York skyline with Richard Meier's latest glazed tower

Richard Meier: Developers need incentives to create public spaces

Richard Meier designs 'beautiful and humanist' South Korean hotel for Winter Olympics

Richard Meier, Bjarke Ingels, Annabelle Selldorf and Rick Cook debate the future of New York's skyline

John Pawson, Richard Meier and Eva Jiricná's Oaks Prague development puts wellness at its centre

FEATURE: Interview – Richard Meier

Failing to consider the context in which they're working is "the biggest mistake" made by architects today, argues Richard Meier in an exclusive interview with CLAD. The renowned Pritzker Prize winner states that “just because you can build 100 stories high, doesn’t mean you should,” and bemoans the number of new city buildings that are out of place in their environment. The full feature interview – in which Meier also
CLD,ARC,DES,DEV,INV,PHR
Richard’s Meier’s practice has offices in New York and Los Angeles, and is led by Meier and five partners / Silja Magg
More news
News stories: 1 - 30 of 7587     
 
 
 
News stories: 1 - 30 of 7587     
 
 
 
company profile
Company profile: TVS Group
The TVS Group supply and install sports and fitness flooring to a wide range of facilities. We cater for every type of exercise and every level of competition, from recreational to elite level performance.
videos
BluGalaxy a Division of Blu Spas
Blu Spas
This animation showcases the beautiful concept design of BluGalaxy Spa.
Try cladmag for free!
Sign up with CLAD to receive our regular ezine, instant news alerts, free digital subscriptions to CLADweek, CLADmag and CLADbook and to request a free sample of the next issue of CLADmag.
sign up
features
The book was published in 2019 by RIBA Publishing
Elina Grigoriou
"Temperature, noise level and colour affect our stress levels. As designers we should be asking ourselves, how do these things match up?"

The London-based interior designer and wellness expert hopes her new book will help readers understand how to design with wellbeing in mind

The Lingang Bird Airport scheme will see a wetland sanctuary and visitor centre created on reclaimed land
"Funding woes and murky timelines are common problems. It can be easier to make a difference one small project at a time"

From parks designed to mitigate the effects of flooding to warming huts for one of the world’s coldest cities, these projects have been designed for increasingly extreme climates

De Portzamparc designed
the Museum of Brittany, which opened in Rennes in 2006
Elizabeth de Portzamparc
"We need to stop the destruction of our world through predatory practices. We need to think of the future"

The architect behind Nimes’ Musée de la Romanité on designing to counter loneliness and the need for more cultural buildings

Catalogue Gallery
Click on a catalogue to view it online
To advertise in our catalogue gallery: call +44(0)1462 431385
features
The Louvre Conservation Centre will open in October
Stephen Barrett (left) 
and John McElgunn (right) were both made partners at RSHP in 2016
"Leisure space – public space – is at the very root of democracy, and architecture is about democracy"

As RSHP completes its latest cultural project, we speak to two of its partners about why Richard Rogers isn’t leaving his succession to chance

The project to restore Houson’s Memorial Park is ongoing
Thomas Woltz
"I am very proud of stewarding the largest public space to be built in Manhattan in a century"

The Wall Street Journal’s Design Innovator of the Year on designing the gardens at Hudson Yards and looking to the Native Americans for ideas on how to create a resilient future

features
Alexander Schwarz
"Our aim was to create a place celebrating public space and accessibility"

The opening of the James-Simon- Galerie on Berlin’s Museum Island completes two decades of work for David Chipperfield Architects. The lead designer talks us through the building

A bright red exterior lift takes visitors up to the hotel’s 10th floor restaurant
"We tried to take over in a friendly way"

The Standard’s first London hotel is bold, fun and full of surprising touches

The Mr Fisher restaurant is one floor below the water level and serves seafood
Martin Jochman founded JADE+QA in 2013. He formerly worked for Atkins
"We didn’t want to put in any gimmicks. We wanted to create a building that’s inherently sustainable through passive sustainability"

When Martin Jochman set out to transform an old quarry into a luxury hotel, he faced some serious challenges

cladkit product news
ASPA International launches handheld UV-C light disinfection lamp
The compact plug-in product can be used easily in a commercial spa or domestic setting to disinfect surfaces with UV-C light
Megan Whitby
For over 30 years, ASPA International has designed and built high-quality spas for the hotel, health and wellness sectors. During ...
LianTronics’ glasses-free 3D Star Trek LED screen attracts attention
Magali Robathan
LianTronics’ giant curved LED wall with stunning glasses-less 3D spaceship display effect has attracted many on the street of Chengdu, ...
Móz Designs columns anchor the world’s largest indoor aquarium
The design of the columns was inspired by the sea
Magali Robathan
After a two-year renovation, Oakland-based metal experts Móz Designs have unveiled their inclusion in Georgia Aquarium’s new shark gallery. Located ...
cladkit product news
Christie laser projectors power new Five Senses Bubble dome theatre
The dome aims to integrate technology with arts and culture
Magali Robathan
Christie® GS Series 1DLP® laser projectors are delivering vivid and lifelike visuals in a new dome theatre located in Xiong’an ...
Siminetti unveils first glimpses of Mother of Pearl decorative surfaces inspired by the four seasons
The new winter design is finished with naturally occurring hexagonal patterns found in snowflakes
Megan Whitby
Siminetti has collaborated with British designer Chrisanna London to create a luxury Mother of Pearl decorative surface range inspired by ...
Matteo Thun grows Allaperto collection with new suspended outdoor armchair
Megan Whitby
Allaperto, the lounge collection spawned by the partnership between design studios, Matteo Thun, Ethimo and Antonio Rodriguez, has been expanded ...
cladkit product news
Cosm unveils Experience Centre with ‘one of a kind’ LED dome
The new Experience Centre houses a 20m LED dome
Magali Robathan
Cosm, a global technology company that builds end-to-end solutions for immersive experiences, has unveiled its Experience Centre which houses a ...
Atelier Alain Ellouz launches handcrafted precious stone lighting collection
LYRA has a sleek, cylindrical design complete with an elegant brass dimming switch
Megan Whitby
LYRA, GAMA, MONA and ATHENA are the first pieces from designer Atelier Alain Ellouz’s new.édition collection of handcrafted stone lighting ...
Painting with Light pushes boundaries to create unforgettable visual concepts
The team combines lighting, video, sound and special effects, with scenic and architectural elements, to create unforgettable visual experiences
Megan Whitby
Belgium-based light and video design studio, Painting with Light, will translate the story of your location into a visual experience, ...
x
Sign up with CLAD for regular news updates